Archive for March, 2010

Steal These Videos: Documentary

  • March 31st, 2010
  • BY: Grant Slater

Working with digital SLR cameras for video is a constant balancing act, a trade-off between the control and depth of field you get from the Canons and the Nikons of the world versus the fact that this is not, in fact, a video camera.

The best (maybe only) manual can be found on Vimeo, where people are posting breathtaking short documentaries, montages and generally beautiful work. The name of the game is to watch what they do and to copy them relentlessly.

I’m offering up my favorites in three blog posts sorted by genre.

This time around, I’ll focus on short documentaries and news videos, which is where I spend most of my time as a journalist. The Canon dSLRs present some serious challenges to videographers in the realm of audio, focus and stabilization. These journalists have overcome those obstacles and even taken things a step further with some really innovative shots. Beyond that, they’ve done it some of the harshest conditions you can find.

To do this, they’ve likely adopted some set up that looks like a Swiss army knife. They know the constraints and the possibilities, and they work within them.

Danfung Dennis – Battle for Hearts and Minds

Danfung Dennis took his camera and followed Echo Company, 2nd Batallion, 8th Marine Company, into the Helmand River valley. I can’t wait to see the full version. When I was deciding what sort of setup to get for my camera, I copied Dennis’ set up almost exactly. It makes you mobile, flexible and the results are great for both audio and video.

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Tableau Vivant #002

  • March 30th, 2010
  • BY: Grant Slater

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Happy Passover

  • March 29th, 2010
  • BY: Grant Slater

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Steal These Videos: Travel Montage

  • March 29th, 2010
  • BY: Grant Slater

Working with digital SLR cameras for video is a constant balancing act, a trade-off between the control and depth of field you get from the Canons and the Nikons of the world versus the fact that this is not, in fact, a video camera.

The best (maybe only) manual can be found on Vimeo, where people are posting  breathtaking short documentaries, montages and generally beautiful work. The name of the game is to watch what they do and to copy them relentlessly.

I’m offering up my favorites in three blog posts sorted by genre.

Up first, travel montages play to all the strengths of dSLRs and gloss over the weaknesses. They generally don’t use sound, a typical weakness of the camera unless you go all Frankenstein on it. And they allow the videographer to think like a photographer, capturing beautiful travel stills that happen to be in motion.

Khalid Mohtaseb – Egypt/Lebanon Montage

This montage is here for two reasons: the color grading is the best I’ve ever seen and I have no idea how to replicate it. The pop to the moving dolly shots is mind-blowing. Also, the clarity of the footage is pretty incredible. Not sure what this guy’s transcode workflow is, but he’s got it right. On the newsier side, check out his video from Haiti.

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Pictures of the Day: Metro

  • March 29th, 2010
  • BY: Grant Slater

Inside:

Китай Город

Out:

Пушкинская

Better than bombs in the metro, after the jump:

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